Christopher McGee Portfolio

Promotional Posters: Marvel Studios

Software Note: All Perspective Images, Isometric Images and Construction Drawings shown below were produced by me using Autodesk Revit, unless noted otherwise

Photography Note: All Set Photos shown below were shot by me, unless noted otherwise

Int. Lopez Family Home

Art Director: Lauren Abiouness

This is Maya's original home before going to New York and exists in Tamaha within the Choctaw Nation Reservation in Oklahoma. This set was used for both childhood and adult scenes requiring a changeover in look and feel. It's exterior elements match a physical location that was used for most of the exterior shots.

Perspective Images

View from Entry down the central Hall

View of Kitchen and Dining Room from the Den

View from the Dining Room into the Den, Kitchen, and Restroom/Master Bedroom Vestibule

View down the hall from Back Entry to Front Entry

View from Bathroom/Master Bedroom Vestibule to Kitchen

Isometric View from above with entry facade bottom left

Construction Drawings - Partial

Ground & Reflected Ceiling Plans, Full Size Details

Sections

Bathroom Enlarged Plan, Sections, and Details

Details of Interior Double Panel Doors

Set Photos

Den looking into Dining Room, Kitchen and Bathroom/Master Bedroom Vestibule

View from Hall looking into the Bathroom/Master Bedroom Vestibule, Bathroom, Den and Entry

View of the Kitchen

View from the Master Bedroom (Maya's adult Room) into the Den (through the Vestibule) and the Kitchen/Dining Room

View of the Children's Room (Maya's childhood room)

Int. Motorcycle Dealership

Art Director: Jaime Marin

This set is placed in New York City in our story. Maya attempts to steal a motorcycle by riding through the glass storefront. Design elements include incorporating a subtle ramp into the motorcycle displays stands for Special Effects and Stunts.

Perspective Images

View of Hero Stunt Bike with the point of sales counter behind

View of Hero Stunt Bike with merchandise/branding display beyond

View of merchandise/branding display with Hero Stunt Motorcycle in the foreground

Hero Stunt Bike with both the point of sales counter and the branding/merchandise display

View of Hero Stunt Motorcycle in line with glass that will shatter with stunt action

Construction Drawings - Partial

Ground Plan and Sections

Motorcycle corner platform with ramp incorporated into design

Enlarged Plan, Elevations, and Perspective of Branding/Merchandise Display

Full Size Details for Branding/Merchandise Display

Set Photos

Hero Stunt Bike with both the point of sales counter and the branding/merchandise display | Photo Credit: Jaime Marin

View of corner Motorcycle display platform with incorporated ramp | Photo Credit: Jaime Marin

Stunt rig for Hero bike | Photo Credit: Jaime Marin

Exterior of dealership, lit, for shooting at night | Photo Credit: Jaime Marin

Ext. Gag Coupler

Art Director: Lauren Abiouness

Two train flatbeds were partially built, coupled, and placed on special effects rigs to simulate train movement for a train stunt sequence involving Maya's prosthetic leg getting stuck in the coupler.

Isometric Image

Construction Drawings - Partial

Ground Plan, Elevations and Section

Wild Platform Ground Plan, Full Size Details, and Wild Perspective

Set Photos

View of couplers with their special effects gurney-esque rigs and track, in progress

Coupler with Wild Platform and Container Backer

View of opposite flatbed on the special effects rig and track

Ext./Int. Lighthorsemen Headquarters

Art Director: Eric Johnson

This set made use of a set previously designed as a Puritan New England Village for a feature. Windows and doors were changed out; the structures were repaired and dressed to be a 19th century Choctaw Nation Reservation village. The story action centers around the Lighthorsmen Headquarters, which was the former set's Church (plan left on the Site Plan sheet below).

Construction Drawings - Partial

Site Plan

Window, Fencing, and Hitching Post Details

Lighthorsemen Headquarters Ground Plan and Sections

Door Details, Note: Details rotated 90 degrees counterclockwise to accommodate the full sized vertical section of the door

This sheet has the Jail cell, which was designed for the Headquarters, but was ultimately omitted

Set Photos

Lighthorsemen Headquarters on left and hitching post out the back with horses | Photo Credit: Eric Johnson

Lighthorsemen Headquarters front entry | Photo Credit: Eric Johnson

Lighthorsemen Headquarters front entry vestibule | Photo Credit: Eric Johnson

Interior Lighthorsemen Headquarters | Photo Credit: Eric Johnson

House 2 and Outhouse |Photo Credit: Eric Johnson

Ext. Tamaha Streets & True Love's Bar

Art Director: Chris Yoo

Construction Drawings - Partial

Location Ground Plan, Elevation, Section and Perspective

Full Size Details and Backing Wall

Details Neon and Outrigger Signage with Graphics by James Hall

Signage Plan, Elevations, Isometric, Perspective and Details with Graphics by James Hall

Turquoise Skies Hair Salon Front Facade | Photo Credit: Chris Yoo

Tamaha Main Street | Photo Credit: Chris Yoo

True Love's Bar Front Facade | Photo Credit: Chris Yoo

Ext. Powwow

Art Director: Eric Johnson

Construction Drawings - Partial

Site Plan

Dancing Arena Ground Plan Sections and Perspective

Canopy Pole Details

Dancing Arena and surrounding Powwow vendors and grounds at Sunset | Photo Credit: Eric Johnson

View of vendors looking Arena at Sunset | Photo Credit: Eric Johnson

Vendors at Night | Photo Credit: Eric Johnson

Lighting over Arena for filing dancers | Photo Credit: Eric Johnson

Art Department

Art Director: Lauren Abiouness, Chris Yoo

Assistant Art Director: Eric Johnson, Alan Lampert, Jaime Marin

Set Designer: Thomas Machan, Christopher McGee, Megan Narduzzi, Ed Symon, Christopher Ward

Illustrator: Laurent Ben-Mimoun

Graphic Designer: James Hall

Art Department Coordinator: Addie Babcock

Digital Asset Manager: Chase Kliber

Art Production Assistant: Bailey Gates, Gracie Schrecengost

Echo

Echo

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